Patrick S.
Gilmore (1829-1892)
America's First
Superstar
Patrick
Sarsfield Gilmore was born on Christmas Day in 1829 in Ballygar,
County
Galway
, a kinsman of Daniel O’Connell. In
one of life’s twists of fate, at the age of sixteen, Patrick accompanied his
father, who was a member of the Ballygar Fife and Drum Band, to a protest rally
in Athlone, a garrison town where the British paraded their finest military
bands. The young protestor became enamored with the band music which he heard in
Athlone and the discipline of marching bands. Thus began one of the great
careers in marching band musical history. Eventually
Gilmore moved to Athlone where he became a member of a local band.
One of the great bandleaders in
Europe
at the time, named Keating, introduced Patrick to classical music and taught
him the finer points of playing the trumpet.
He joined Keating’s Regimental Band and traveled with the band to
Canada
in 1847. Gilmore flourished as a
band member and it was at this time that he decided to make
a life in music for himself in
America
. Patrick and his brother immigrated
to
Boston
in 1848 where he immediately became a member of a local band and took a
position with the Ordway Brothers Music Store.
In a short time he became the leader of the Boston Brigade Band and then
the Charlestown Militia Company. Patrick’s
musical talent was quickly recognized. He
became known as the best trumpet player in the east; he became the director of
the Boston Brass Band in 1851; he
started a music publishing business, Gilmore and Russell, which became the most
respected music publisher in
Boston
; and he opened a retail store which sold sheet music and musical instruments.
Gilmore organized the first Promenade Concert in
America
in 1855, the forerunner of today’s Boston Pops.
Gilmore’s leadership of the Boston Brass Band was especially notable because
the Band was composed of professors, composers and artists.
By 1855, he was invited to succeed Francis Morse, founder, as the
director of the Salem Brass Band.
Gilmore was offered $1000 a year if
he were to lead the Salem Brass Band, a generous salary at a time when $600 was
a good annual wage. Under his
leadership, this Band was eventually invited to play at the inauguration of
President James Buchanan in 1857. By
1859, Gilmore had taken over the Boston Brigade Band under the condition that he
would pay all of its expenses and change its name to the Gilmore Band.
The Band became a
Boston
institution, playing before enormous crowds.
When
Fort
Sumpter
was fired on in 1861, Gilmore and his band gave their full support to the war
effort on the Union side. The band
played at recruiting rallies and other military functions, including escorting
regiments to their training camps. Concerned that the band would be broken up
through enlistments, Gilmore and his band members agreed to join the 24th Massachusetts Volunteer Regiment stationed at
Fort
Warren
in Boston Harbor.
While on the island, Gilmore heard a recruit singing a doleful tune, which was
known as “John Brown’s Body.” He
set it to music and it became the foremost marching song of the Civil War.
The song was rewritten with the same music by Julia Ward Howe and is now
known as “The Battle Hymn of the Republic.”
Over the course of his life, Gilmore wrote and performed many songs that
became big hits in the
United States
. Included among them were “Good
News From Home,” “Sad News From Home,” “Seeing Nellie Home” and “God
Save Our Nation.” His greatest
musical achievement, undoubtedly familiar to most Americans, was written when
Gilmore sensed that the Battle of Gettysburg was a turning point in the Civil
War. It is entitled, “When Johnny
Comes Marching Home.” This song
parallels the Irish folk song “Johnny, We Hardly Knew Ye” which Gilmore must
have carried in memory from
Ireland
.
| When
Johnny Comes Marching Home |
 |
Johnny,
I Hardly Knew Ye |
|
|
| Get
ready for the Jubilee, |
They’re
rolling out the guns again, |
|
Hurrah! Hurrah! |
Hurroo, Hurroo |
| We’ll
give the hero three times three, |
They’re
rolling out the guns again, |
|
Hurrah! Hurrah! |
Hurroo, Hurroo |
| The
laurel wreath is ready now |
They’re
rolling out the guns again, |
| To
place upon his loyal brow, |
But
they will never take our sons
again, |
|
And we’ll all feel gay |
No,
they never will take our sons again |
|
When Johnny comes marching home. |
Johnny, I’m swearing to ye |
|
|
|
|
|
|
Gilmore
and his band served with General Burnside in the
Carolinas
. At the close of hostilities,
Gilmore was personally asked by Abraham Lincoln to organize and perform at the
inauguration of Gov. Michael Hahn of
Louisiana
in
New Orleans
in 1864, part of the healing process
Lincoln
had envisioned for the wounded nation. Gilmore
had long dreamed of massing musicians together in one performance and with this
directive from the Commander-in-Chief, he saw his chance.
Gilmore organized 500 musicians and 5,000 schoolchildren, many from
Confederate families, playing and singing patriotic songs.
Gilmore’s magnificent concert earned
him a letter of commendation from President Lincoln.
Inspired by his success in
New Orleans
, Gilmore organized a festival in
Boston
in 1869 with 1,000 musicians and 10,000 singers. In the spirit of his
contemporary, P.T.Barnum, he followed by producing the World’s Peace Jubilee
of 1872. These epic concerts had a 2,000-piece orchestra and a 20,000-voice
chorus. Johann Stauss, Jr. was paid $100,000 to appear at these concerts – the
only time he visited
America
. Working in
New York
in the 1870's, the Irishman from Galway created Gilmore’s
Concert
Garden
, which became the first
Madison
Square
Garden
.
Gilmore
was the musical director for many important celebrations, including the July 4th
Centennial in
Philadelphia
(1876) and the dedication of the Statue of Liberty (1886). He made some of the
first commercial recordings for Thomas Edison in 1891. It was Gilmore and his
band that started the now familiar tradition of greeting the New Year in
Times Square
. Gilmore died of a heart attack
while on tour in 1892. On the night
of his funeral, a young bandleader named John Philip Sousa dedicated his
performance to the “Father of the American Band.”
Gilmore is buried in
Calvary
Cemetery
in Woodside,
Queens
.
(Written
by Tom Lee, September 2004)
© Irish Cultural
Society of the Garden City Area
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